Episode 1141
Toward citizen science.
Mar 9 2020
Zionism manipulates and co-opts Judaism to promote an imperialist white supremacist agenda, which is something I write a lot about, and it goes back to Project Esther, which is written by the Heritage Foundation. It's not a Jewish organization. It's a Christian organization grounded in right wing Christian nationalism that is using all of Zionism's talking points to promote white supremacy abroad and to stifle dissent here at home. So Zionism has become a very useful tool for the right wing here in the United States.
Yoav Litvin joins us to discuss his Al Jazeera column, "Project Esther: A Trumpian blueprint to crush anticolonial resistance:The Heritage Foundation strategy named after the biblical Jewish queen offers insights into the persecution those who oppose Zionism and white-supremacy will likely face in Trump’s America."
"The Moment of Truth" with Jeff Dorchen follows the interview.
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Feb 27 2020
Posted by Alexander Jerri
Welcome to the Moment of Truth: the thirst that is the drink.
Disclaimer: an unholy slew of cultural references will follow.
The thought of Al Pacino as an Ashkenazi Jewish-accented Holocaust survivor made my sister not want to watch the new Amazon Prime show, Hunters, about Nazi-hunters in the late 70s, produced by Jordan Peele. She loves Peele, but didn’t like Pacino as Hoffa in The Irishman, and also, in a nod to identity politics, she wondered why they didn’t get a real Jew to play Nazi- hunting millionaire Meyer Offerman.
There’s a lot about the show that doesn’t work, and a lot that does. Pacino’s accent is not horrible. Saul Rubinek’s ebbs and flows. Carol Kane’s is perfect in a way I don’t understand why Rubinek’s isn’t. Josh Mostel, son of Zero, not Zoro, who played King Herod in the film of Jesus Christ Superstar – “prove to me that you’re no fool/walk across my swimming pool” – is perfect as Carol and Saul’s rabbi, although the writing doesn’t rise to the level of the performances. German actress Barbara Sukowa, who played Rosa Luxemburg in Margarethe von Trotta’s not- great biographical film of the Jewish anarchist, is featured in an episode as a possibly-wrongly executed possible Nazi.
Why this show? Why now? Because Nazis are coming out of the woodwork, all over the world, acting like “Nazi” is a valid lifestyle choice, and, somehow, whether or not it’s all right to punch them has been a persistent moral question. And that’s the big moral question of the show: is it all right to kill Nazis three decades after they committed their Naziness? Or does, as Nietzsche had it, the abyss gaze back into you? Do you turn into a monster if you hunt monsters and kill them? Another current show, The October Faction, tackles this question, and answers that, yes, monsters are people, too, and going around killing them is immoral. At least, it is in a world where monsters are people, too.
But those are vampires, warlocks and such. Not Nazis. In Hunters, the Nazis are irredeemable monsters. Mustache-twirling monsters. Obvious in their evil, evil in their declared ambitions. There’s even an idealized “Proud Boy” style monster. It’s a relevant show! It’s not anywhere as good as HBO’s Watchmen, though. I’m not even sure Hunters is good at... read more