May 26 2021
The actual stated demands of the protests may not necessarily be met or be successful. I think of things like the Occupy Wall Street protests and others where the idea of reforming how Wall Street works or maybe putting more breaks on the way in which income inequality occurs in the United States. Like those goals of course never really happened or materialized out of some of those protests. I think people getting disillusioned that you go to a protest like No Kings and it's large and you feel good and you feel the sense of community. But then the next day this hasn't really moved the needle on policy. It hasn't moved the needle on the practice of governance. And I think that's where in the book I try to push people a little and say, ‘Well, yeah, that's because it can’t. It can't end there, right?’ That and the same with elections, right? People of course get disappointed and disillusioned with the way elections have gone and the way even when supposedly better candidates win things still don't change either. I think one of the points of the book is that you have to kind of drive past those two traditional techniques for social change when they're not really doing the job that you need to create a more inclusive and sustainable society.
Writer and researcher Sasha Davis speaks to This Is Hell! to talk about his new book “Replace The State: How To Change The World When Elections And Protests Fail”, published by University of Minnesota Press. The book talks about bringing new hope for social justice movements by looking to progressive campaigns that have found success by unconventional, and more direct, means since elections and protests might have become stagnated in regards to bring forth societal change.
We will have new installments of Rotten History and Hangover Cure. We will also be sharing your answers to this week's Question from Hell!... read more
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May 19 2021
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May 13 2021
Posted by Matthew Boedy
Welcome to the Moment of Truth: the thirst that is the drink.
I can’t save numbers of people in Jerusalem or Gaza, or even Tel Aviv, for that matter, with the skills I’ve, maybe foolishly, chosen to cultivate. I’m a writer. Sometimes even an artist. All I can do is process things, such as the current iteration of brutality by the Israeli Occupation against its unwilling Palestinian wards, its painted birds, and I’ve been doing so with the help, these days, of the words and overall attitude of Palestinian American poet and novelist, Naomi Shihab Nye. That processing will take some time. It’s going to be a collective effort. I hadn’t considered the collaborative nature of a poet. My thought has always been that some writing is solitary. But nothing human is ever truly solitary.
Longtime Chicago theater and music creator Beau O’Reilly was close friends with the recently- departed Michael Martin, who I talked about two weeks ago. Today, I’m talking about Beau. And by way of talking about Beau, I’m talking about collective endeavors.
Beau has a new record out. What can you say about a record by a man who is twelve centuries old in thunderstorm years but has a new girl baby, and includes a song, not about that girl baby, though her vocals are featured on it, but about the boy baby that was posited earlier on and received so many gifts in the mail he opened an imaginary emporium?
Maybe I just said it.
But probably not. The new record, Thrifty, by Beau O’Reilly, available from Uvulittle, is an expression of intentional community. It’s one of the things lately which, like hearing about the courtyard at Cary’s Lounge, or anything at all going on at Cary’s, makes me want to come back to Chicago. Beau wrote all the lyrics, except a few, and sent them out for different musician friends to write the music and turn them lyrics into songs. Then those and other friends came together/apart, in that covid way we’ve all resorted to and begun to polish, to record them. All during the 2020 plague year, that’s what happened.
Soil, earth, plant, and tree metaphors will be relied on heavily in this discussion. A few words about Beau’s words: his diction and expression arise organically from strata of influences layered over a bedrock of the imperative to create. There has never been any question to Beau – or at least I’ve never... read more