Episode 1143
The case against Joe Biden.
Mar 11 2020
What is imperialism? It is capitalism times geography. That's all it is. Imperialism does around the globe what capitalism is doing at home. What is capitalism is doing at home? Cheap labor, abused labor codified in color as black or brown or gendered as women…What is imperialism? When the yield of capital inside any particular unit of capitalism hits a wall, you go around the globe. What do you do around the globe? If you go to Asia, Africa, Latin America, what do you want? You want cheap labor and raw materials. In order to justify that, in order to rationalize that, you need to dehumanize those people you are abusing and robbing of their resources.
Hamid Dabashi returns to This Is Hell! to discuss his new book from Haymarket Books, After Savagery: Gaza, Genocide, and the Illusion of Western Civilization. Jeff Dorchen edifies us with a new "Moment of Truth" after the interview.
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Feb 27 2020
Posted by Matthew Boedy
Welcome to the Moment of Truth: the thirst that is the drink.
Disclaimer: an unholy slew of cultural references will follow.
The thought of Al Pacino as an Ashkenazi Jewish-accented Holocaust survivor made my sister not want to watch the new Amazon Prime show, Hunters, about Nazi-hunters in the late 70s, produced by Jordan Peele. She loves Peele, but didn’t like Pacino as Hoffa in The Irishman, and also, in a nod to identity politics, she wondered why they didn’t get a real Jew to play Nazi- hunting millionaire Meyer Offerman.
There’s a lot about the show that doesn’t work, and a lot that does. Pacino’s accent is not horrible. Saul Rubinek’s ebbs and flows. Carol Kane’s is perfect in a way I don’t understand why Rubinek’s isn’t. Josh Mostel, son of Zero, not Zoro, who played King Herod in the film of Jesus Christ Superstar – “prove to me that you’re no fool/walk across my swimming pool” – is perfect as Carol and Saul’s rabbi, although the writing doesn’t rise to the level of the performances. German actress Barbara Sukowa, who played Rosa Luxemburg in Margarethe von Trotta’s not- great biographical film of the Jewish anarchist, is featured in an episode as a possibly-wrongly executed possible Nazi.
Why this show? Why now? Because Nazis are coming out of the woodwork, all over the world, acting like “Nazi” is a valid lifestyle choice, and, somehow, whether or not it’s all right to punch them has been a persistent moral question. And that’s the big moral question of the show: is it all right to kill Nazis three decades after they committed their Naziness? Or does, as Nietzsche had it, the abyss gaze back into you? Do you turn into a monster if you hunt monsters and kill them? Another current show, The October Faction, tackles this question, and answers that, yes, monsters are people, too, and going around killing them is immoral. At least, it is in a world where monsters are people, too.
But those are vampires, warlocks and such. Not Nazis. In Hunters, the Nazis are irredeemable monsters. Mustache-twirling monsters. Obvious in their evil, evil in their declared ambitions. There’s even an idealized “Proud Boy” style monster. It’s a relevant show! It’s not anywhere as good as HBO’s Watchmen, though. I’m not even sure Hunters is good at... read more