Posted by Alexander Jerri
Listen live from 9AM - 10:30AM Central on WNUR 89.3FM / stream at www.thisishell.com / subscribe to the podcast
9:10 - Writer Ruth Whippman surveys America's maddening happiness-industrial complex.
Ruth is author of America the Anxious: How Our Pursuit of Happiness Is Creating a Nation of Nervous Wrecks from St. Martin's Press.
9:55 - Doug Henwood and Liza Featherstone explain what went wrong with Candidate Hillary.
Liza contributed to and edited False Choices: The Faux Feminism of Hillary Rodham Clinton from Verso Books. Doug wrote My Turn: Hillary Clinton Targets the Presidency from OR Books.
Posted by Alexander Jerri
On This Day in Rotten History...
In 1915 – (101 years ago) – the Swedish-American labor activist and songwriter Joe Hill was executed by firing squad, in the state of Utah, for allegedly having shot and killed a grocer and his son. A jury had convicted Hill on circumstantial evidence, even though eyewitnesses could not identify him in court and the murder weapon was not found. In the weeks before his death, tens of thousands of people around the world campaigned in vain for clemency, convinced that Hill had been convicted mainly for his involvement with the Industrial Workers of the World, also known as the IWW or the Wobblies. The campaigners included labor activists, Mormon dignitaries, the Swedish foreign minister, and even US President Woodrow Wilson. On the day of his death, Hill sent a telegram to IWW leader Bill Haywood. It read, [quote] “I die like a true blue rebel. Don’t waste time in mourning. Organize.” Joe Hill’s body was shipped from Salt Lake City to Chicago, and he was cremated at Graceland Cemetery. His ashes were divided into hundreds of small packages, mailed to union locals and supporters across the United States and on six continents, with instructions to scatter the ashes in all corners of the world.
In 1984 – (32 years ago) – a major tank farm in San Juanico, Mexico, was rocked by a series of massive explosions that began in early evening and continued well into the next morning, consuming one-third of Mexico City’s supply of LPG, or liquid petroleum gas. The explosions and fire destroyed the tank farm and devastated the surrounding town. Some five to six hundred people died in the inferno, consumed so completely that only two percent of their remains could be recovered afterwards. Another five to seven thousand people suffered major injuries, including severe, life-changing burns. It was the worst LPG disaster in history.
Rotten History is written by Renaldo Migaldi
Posted by Alexander Jerri
TIH producers and staff share some of their favorite writing / stuff on the 2016 election:
Chuck Mertz - After Trump [Robin D.G. Kelley / Boston Review] Trump’s election means more police brutality towards black people [Patrisse Cullors / Guardian] Electing Trump: the moment America laid waste to democracy as we know it [Gary Younge / Guardian] We must rethink globalization, or Trumpism will prevail [Thomas Piketty / Guardian] It was the Democrats' embrace of neoliberalism that won it for Trump [Naomi Klain / Guardian] Why the White Working Class Rebelled: Neoliberalism Is Killing Them (Literally) [Juan Cole / Truthdig]
Daniel Cox - Vengeance Is Mine [Dan O’Sullivan / Jacobin] November 10, 2016 episode [Behind the News with Doug Henwood]
Jeff Dorchen - Listening to Trump [Christian Parenti / Nonsite]
Brian Foley - President Trump: How and Why... [Jonathan Pie]
Kevan Harris - What Will and Won’t Constrain Trump [Richard Lachmann / Policy Trajectories]
Steve Horn - Revenge of the Forgotten Class [Alec MacGillis / ProPublica] Inside the Loss Clinton Saw Coming [ Edward-Isaac Dovere / Politico]
Theron Humiston - Trump: Tribune of Poor White People [J.D. Vance / The American Conservative]
Alexander Jerri - Saturn devours his young: President Trump [Salvage] President Trump [Delete Your Account]
Ed Sutton - White Nationalism Lives and All White People Need to Own It [Radfag] No President [Mark Greif / N+1]
Spencer Thayer - Clintonism the Future? NYT’s Political Science Fiction [Jim Naureckas / FAIR]
Julianne Tveten - Swat Team: The media’s extermination of Bernie Sanders, and real reform [Thomas Frank / Harper's] / A Blueprint for a New Party [Seth Ackerman / Jacobin]
Posted by Alexander Jerri
Listen live from 9AM - 1PM Central on WNUR 89.3FM / stream at www.thisishell.com / subscribe to the podcast
9:10 - Writer Richard Seymour surveys the wrecked landscape of American politics after Trump.
Richard and his fellow editors at Salvage wrote the essay Saturn devours his young: President Trump.
10:00 - Journalist Michelle Chen profiles the millions of Americans who never had a vote.
Michelle wrote the article For Millions, the Election was Always Lost for Dissent.
10:35 - Doctor Zaher Sahloul reports on providing medical care to Syrians under fire in Aleppo.
Dr. Sahloul wrote about his experiences in the op-ed I'm a doctor in Chicago. Here's what I saw when I went to help in Aleppo for the Guardian.
11:05 - Journalist Trevor Timm explores the possibilities of President Trump's inherited surveillance state.
Trevor's most recent Guardian op-eds are Obama has handed a surveillance state and war machine to a maniac and If Donald Trump gets his way, his administration will be disastrous.
12:05 - Occupy Wall Street co-founder Micah White explains why political power will not be captured in the streets.
Micah wrote the essay Two Paths Forward at his website, and the op-ed Protests won't stop Trump. We need a movement that transforms into a party for the Guardian.
12:45 - In a Moment of Truth, Jeff Dorchen considers the election as failed hangover cure.
Jeff assured me that this piece killed the other night at his LA-based literary competition thing he does.
Posted by Alexander Jerri
Listen live from 9AM - 10AM Central on WNUR 89.3FM / stream at www.thisishell.com / subscribe to the podcast
9:10 - Former CIA officer John Kiriakou analyzes the government's ongoing war on whistleblowers.
John wrote the recent article The FBI Isn’t Done With Me for Reader Supported News.
Posted by Alexander Jerri
The Tears of Saint Peter
Welcome to the Moment of Truth: the thirst that is the drink.
Le Lagrime di San Pietro, the Tears of St. Peter, is a piece of choral music by Orlando di Lasso, composed in 1594. The text is by the Petrarchian poet, Luigi Trasillo, written about thirty-five years early. Wednesday morning I sat in Disney Concert Hall watching singers from the Masters Chorale, under the direction of Peter Sellars, rehearse the piece. I was lucky enough to have a friend among the singers, and it was she who'd invited me.
The singing and staging were sublime, and singing and staging covers just about everything about the piece, so it was a sublime experience. Supertitles appeared above the stage, and the text was also sublime. So imagine yourselves there, as a low-rent bum like myself, occasionally treated to sublime things due to having occasional truck with wealthy or brilliant people – my friend, incidentally, being brilliant rather than wealthy, and thus, despite her relatively humble, in Los Angeles terms at least, condition, seeming to exist solely among the sublime, having the sublime pour out of her, and channeling the sublime to others – and there you are, enveloped in the exquisite for a while before you must rudely collapse back into your rodent's nest of a life, which in many ways you've chosen, albeit you curse your choices several times every day.
You'll remember Peter denied Jesus three times before the cock crowed. He wasn't the brightest of the apostles. Jesus told him beforehand he'd do it, you'd think he'd have been on his toes, he'd see it coming like deja vu and at least try to thwart the prophecy, but never mind. He denied Jesus three times so he wouldn't get into trouble with the authorities. And Jesus looked into Peter's betraying eyes, and that look is the source of Peter's tears. Whenever he wakes up to the crowing of the cock, Peter recalls that look and starts to cry.
It's quite a look. It's like arrows. Jesus' eyes are like bows, and the gaze is arrows. Later the eyes are swift tongues, and Peter's eyes are ears. What is said wordlessly with that gaze is more than even the most canny ear could hear in a hundred years. Describing the recriminations communicated by this look would shatter the listener, says Trasillo, and so sing the singers in some kind of, I guess, Italian.
A couple weeks ago I spoke on this show about the way we derogate and discard moral idealism (as... read more
