The biblical character Moses figures in the liberation theology of both, though ironically more so in the Captivity than in the Shoah. The Shoah's iconography of liberation tends more toward the Maccabean than the Mosaic. Although there are both armies and solitary figures of liberation associated with both mass atrocities, in the Shoah the main figures of resistance, the partisans and the Allies, are armies, akin to the Maccabees if anything biblical, and the downfall of the bureaucratic/industrial enemy is a military one; while Harriet Tubman, guiding her people to freedom through the Underground Railroad as the Moses figure of the Captivity, looms large; liberation depends on the courage and perseverance of individual heroes in the face of interpersonal if pandemic human hatred, hatred that was enacted anew every time an individual crime against dark-skinned humans was committed.
In a Moment of Truth that is definitely not all about comparing the Holocaust and Slavery, Jeff Dorchen compares the aesthetic aspects of the Holocaust and Slavery, and figures out what those differences have to say about oppression, history, racism, fear, art and memory.
Read the transcript here
Listen to Part One here